parrish art museum and more

had the recent opportunity to visit south hampton and in particular the new parrish art museum and the international art fair "art southhampton". both quite impressive for different reasons: the design of the parrish is very interesting using only three materials with beautiful gallery spaces and the fair exhibited a wide variety of work and techniques. somewhat disappointing- the only encaustic work that i saw was at the museum and is by michelle stuart. any thoughts on this?

parrish art museum, south hampton

encaustic by michelle stuart

hot wax in july

i have an introduction to encaustic painting on july 19th at the silver mine arts center. working with encaustic in the summer heat can be a lot of fun since we can fuse our work by letting the sun's rays heat the surface instead of fusing with a heat gun. it helps to work on several pieces at a time since while  one is fusing you can work on another and keep switching them back and forth. hope you give it  a try. and just like a black car in the summer absorbs more heat than a white one so will a dark colored painting fuse more quickly.
by the way if you haven't seen sigmar polke's show at moma the show is probably a once in a lifetime chance to see this master of materials range of work from the 60's right thru until his passing.

Silvermine School of Art 90th Anniversary Fundraiser

there are still $250.00 tickets left for this fundraiser on may 3. it should be a lot of fun and there are great auction items. go to the silvermine web site for more information and to see the silent auction items one of which is:
a complete encaustic equipment set up (i think paint is also inc. ) and a private lesson with yours truly.

Spring Workshops, Casting, Oscar Murillo

almost finished with my first 2014 6-week class-great group. i had not done casting with the impasto medium in quite awhile and after doing the demo for the class went back to my studio and did some more. it is one of the under utilized techniques and i will post the results.

here are my spring workshops/class to be held at silvermine school of art, new canaan, ct

• 3/30-introduction to encaustic painting
• 4/7-encaustic studio. this is a NEW workshop for those who already know the process and just want to work 
• 4/21-6 week class begins, mondays 1-4
• 5/4-encaustic with collage
• 5/18-introduction to encaustic for 14-17 year olds
• 6/7- introduction to encaustic

in case you missed it there is an interesting article about artist oscar murillo in the 3/16/14 issue of the new york times. see if you think he is the next art star.

updated

in case you haven't visited the R & F website lately they have a colorful, new look and new features. the forum is still available and you can get a color chart with their new colors. i'm just wondering if they will be updating their heated palette one of these days.

ps-i've had the "blues" for quite a while now and one of my new favorites is malachite green. a color that to  my eyes is more turquoise then green but, of course, it depends on the light. check it out.

happy new year, new workshops

wishing you all more time to create!


upcoming workshops to be held at silvermine arts center, new canaan, ct

introduction to encaustic painting-1 day,  january 25 and march 30
6 week class, monday afternoons starting on february 10
encaustic painting with collage-1 day, march 16
and new this session- encaustic studio-1 day, april 7

details at www.silvermineart.org

How things have changed-or have they?

this is the 100 year anniversary of the controversial Armory Show and you can get a look at what it was like currently at the N.Y. Historical Society. there were just as many Americans as Europeans exhibiting but it was the European artists who woke up the audience.  during 1913 women were marching in the streets for the right to vote and contraceptive freedom, were there even any women in this show? the best selling artist was Odilon Redon-remember him? critics laughed and one went so far as to call the show evidence of  "the total destruction of the art of painting". so here we are 100 years later and some of the same issues remain. bet you know a lot of painters, though.